Upon entering, he warned us of the smell. At first I thought it wasn’t so bad, but then the scent of fermenting anchovies and salty air burned my nostrils and back of the throat before settling deep in my lungs. The room we entered had fluorescent lighting and white tiles and I felt an urge to turn around back into the warm Amalfi sunlight and fresh sea-sprayed air. He ushered us into the cavernous facility with a warm smile and kind eyes and I figured I was willing to stick around for a bit longer. We walked past a man carefully labeling and boxing jars of alici and into a room where small wooden barrels were stacked as high as the ceiling. It seemed as if we might be in the hull of an old pirate ship — stench included — the barrels had been crusted over with salty remnants, making them look more like my 2nd grade science project than containers of a substance fit for human consumption.
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Pia Tempestini
The woman kneads the dough on a flour-dusted counter-top. Her frail wrists work the mixture expertly, as she shapes it into a ball and puts it in an old mixing bowl to let it rest. A little coating of olive oil on top and she covers it with a clean dish towel. Carefully, she passes the bowl to the little girl and tells her it’s time to tuck it into bed. Just four and a half years old, the little girl holds the “magic bowl” with all her strength. The ceramic is heavy and cool in her arms, but she is careful not to drop it.