Time for Refresh

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Time for Refresh

I’ve had some pasta madre bequeathed to me a number of times. Each time from a different friend, but they were all from people with whom a trusted relationship developed first — so much so that to share the starter was emblematic of our friendship. As in, we had to get to the point in our friendship where we confided and delighted in each other’s food shenanigans, which included failures like the burnt, the rotten, and the woefully unsalvageable before we could talk ferments. Sharing fermentation starters was like sharing our insides. 

Friendships might be hard to keep, but sourdough is harder.

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A few things I've learned

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A few things I've learned

It’s been almost three years since I moved from Italy to Vancouver, and I am about to move again and embrace another cultural shock. This time I’m moving from the super progressive and green West Coast to Montreal, a French speaking city said to be really “similar to Europe”, whatever that means. I reflect on my first three years abroad as a memento for my future self.

I am an immigrant in this country. Many would call me an expat: thanks to my husband’s high skilled job I moved from Europe to North America and I was granted a very good visa. I’m white and when I speak my accent is sometimes mistaken for Quebecois. I have all the prerequisite to be an expat, but calling myself so would mean to validate and reinforce a privilege that I acquired by chance and not by merit.

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Fermentation Relay

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Fermentation Relay

Montreal, for all it’s legacy and character, is a revolving door of people and restaurants.
One of my chef friends moved to Hamilton, and I became the beneficiary of most of her
commercial grade, industrial size odds-and- ends, including a 5 gallon bucket of honey.
Having read the opening chapter to Sandor Katz’ Wild Fermentation, I knew that mead
was a relatively simple affair: honey, water, and time. I diluted the honey with water
(making quite the goopy mess) and let the ambient yeasts do the rest. As I was tying off
a piece of fabric to the bucket’s opening, I thought about the rituals and environments
that shape and surround fermentation. I started thinking about what else goes into
ferments.

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Liquid Sea, Slippery Fish

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Liquid Sea, Slippery Fish

Early October in New England is a dreamy time of year. The trees are just starting to turn, with splotchy reds and yellows appearing among the top branches, and the changing colors are slowly working their way down. The days are still long, and the sun warm on your back. At night the temperature drops, and you can feel the summer receding into the distance. The air smells different.

On one of those perfect October afternoons, I ventured out to the Branford Land Trust to go fly fishing with three friends. It was my first time and I was excited to learn from my fly-fishing enthusiast companions. Though I spend all my days thinking about fish and the people who catch them, I am pitifully inexperienced when it comes to casting a line.

Though I spend all my days thinking about fish and the people who catch them, I am pitifully inexperienced when it comes to casting a line.

We parked along the road and meandered our way around a field of squash, through some woods, and down to the salt marsh. As we got closer to the shore, we started to hear a furious splashing. The woods cleared and the Long Island Sound came into view. The water was bubbling and jumping and sparkling with striped bass and bluefish (or, as Italian fishermen would say, “bollendo”—boiling like a pot of spaghetti). The larger predatory fish were chasing schools of alewives as they scattered frantically in all directions. The stripers and bluefish were on their way south for the winter, fattening up for the cold months ahead. It was one of those awestruck situations where you don’t really know what else to do but laugh at yourself and laugh at your good fortune. I have never in my life seen so many fish.

After learning to cast—back and forth and back and forth—and catching and releasing striper after striper [1], the glow on the marsh grasses was starting to fade with the day, and I decided to keep the next fish I caught for dinner. It was a bluefish, only about a foot and a half long but a strong swimmer. It put up a good fight.

I cleaned and de-scaled the fish, and we set up a small charcoal grill and threw it on top. Its skin crisped up and its fatty flesh solidified with the heat. Too eager to wait, we ate it straight from the grill with our hands. As I pulled flakes of warm fish off the sticky bones, I thought about the disconnect between the wild, slippery act of fishing and the solid fish that ends up on our plates—or in this case pinched between our fingers.

Seafood is palpably absent from most conversations about food systems and food communities, and many of the voices representing fisheries are equally absent. Most fishers in this country (with plenty of exceptions) probably don’t think of themselves as part of a food system. Rarely does a fisherman sell his fish directly to a consumer, which widens the gap between fisher and eater and obscures the idea of a cohesive system. More commonly, once a catch of fish lands, it makes its way through a series of mid-chain players who may be dealers, processors, aggregators, traders, wholesalers, and finally retailers of some sort. Only then does it make its way onto somebody’s plate. While our terrestrial food system has similarly convoluted supply chains, the wild nature of fish, different conceptions of marine property, and a wholly separate fisheries regulatory system make the slippery fish just that much more removed from its eventual eater.

I thought about the disconnect between the wild, slippery act of fishing and the solid fish that ends up on our plates—or in this case pinched between our fingers.

On a more basic level, it is hard to conceive of a community that is not located on solid ground. The idea of an agricultural community is simpler to define—say, by farmers who live in the same town or sell at the same market. But how do you take a wild animal, and the people who chase it, and gather them together? What does a “fishing community” look like? Is it fishers who live in the same place, or fish from the same dock, or follow the same stocks? Is it a geographically dispersed group of fishers who share a common interest?

The concept of community is an important one. Communities allow people to organize and to advocate for themselves, or for the betterment of something that matters to them. Under U.S. fisheries law, a place-based fishing community is a required unit for management purposes.

But just because a group of fishers resides in the same town doesn’t necessarily mean they operate as a network or community. Recent studies have explored “communities at sea” that are built around shared fishing grounds and information-sharing rather than common shore-based geographies. Lots of folks are doing incredible work to bring seafood into the food systems conversation. Organizations like the Northwest Atlantic Marine Alliance, Dock to Dish and LocalCatch.org, for example build networks of fishers who can advocate changes in policies shift markets toward more equitable and sustainable ends.

Community takes many forms—based at sea, on the ground, or in a practice—and communities of fishers can help bridge that gap between a wild animal and a flaky finger-full of fish flesh.  

After the bones of my bluefish were picked clean, we climbed into our tents for the night. The next morning, I woke to the sound of my buddy Nick cackling with joy down by the water. The stripers were back with a vengeance. We spent the morning casting our lines—back and forth and back and forth—but I wasn’t so lucky this time. The slippery fish continued their migration south, and they’re not to return again until Spring.

[1] In Connecticut, the daily catch limit for recreational fishing is one striped bass with a minimum length of 28 inches. Any other stripers must be unhooked and released back into the water.


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Emily studies environmental management at the Yale School of Forestry and Environmental Studies, and is interested in the intersection of fisheries policy, fisherfolk, and climate change. 

 

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Recipe Anarchist

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Recipe Anarchist

I am a recipe anarchist. I can’t help myself from changing at least a little something.

I wasn’t so rebellious at the beginning. When I was ten, I was already used to preparing my lunch. Usually, it meant I had to cook the pasta, reheat the sauce somebody made for me, and assemble. That was easy. I started seriously experimenting with new recipes I had never made before, only after I had moved to university and had to provide food on my own. Back then, every time I tried something new I was pretty scared of leaving the path of the sacred recipe. I used to be loyal to the recipe and stuck to it blindly.

I remember the first time I prepared a ciambellone (a simple cake, usually made for breakfast) based on a recipe I got from my roommate during my first year of college. Making a cake was something scary, because it involved an expertise I didn’t have. I followed it passage by passage, weighing exactly all of the ingredients and taking in all of the suggestions she gave me: first mix the eggs well with the sugar, incorporate the flour little by little, and make sure you see the bubbles when you add the baking powder. The cake turned out really good and fluffy.

That year I started to test my cooking skills, and instead of a typical Italian nonna imparting her wisdom to me or my mother (who always hated cooking), middle aged women from all over Italy taught me how to cook through an online cooking forum I joined. One day, it was a gloomy winter evening, cold and humid, I was freezing at my desk, staring at my computer, when I found a pizza recipe on the forum. I decided to try it. It was my first time making pizza, and even though I followed the recipe, it was a nightmare.

Kneading the dough was not a big deal. The real problem in this story was letting the dough rise. According to the recipe, the dough should at least double in size, and this was related to a time indication of two hours. I was so naif to expect my dough to rise exactly in two hours. I would have even been content with maybe two and a half hours. After almost three hours, I asked, “Why is my dough not growing? How will I understand when it is ready?”

As I mentioned, that day was winter, cold and humid, and not a good day to give pizza making my first try. I remember going back and forth from the forum thread to my dough sitting near the heater, well covered under a towel, trying to ask questions on the status of my pizza on the forum in real time. But I was without help and couldn’t understand what I should expect from my dough. Of course, my pizza ended up being under-proofed, heavy, and thick.

That night I learned two things. First that if I wanted to do pizza I had to start well in advance to give it the time to rise. Second, I learned that recipes can’t teach you what experience does.

Few years after the heavy-pizza incident, I started getting more rebellious against recipes thanks to an empty fridge and the lack of measurement tools. I was still a student, I had moved to another town, and my apartment did not have a scale. Sans scale, I tried out all of the alternative ways of measuring possible. I measured how much flour could fit in a glass, or how much oil in a spoon. Furthermore, being a student, I often lacked the staples of home-baking. Sometimes I didn’t have enough eggs, I never had butter, and I often ran out of yogurt. Not surprisingly, my level of experimentation was intense at that time. If I found a recipe that I liked, I was guided by my past experiences that I had gained from stringently following recipes and tried to substitute ingredients. I judged the texture of a cake mixture by comparing it to my memories, pondering if it was smooth enough, too liquid, or too dense. I tried to figure if it could work and (of course) it didn’t many times. But I learned a lot from my mistakes, and I learned also how to understand when the pizza dough is well proofed.

Nowadays I’m not afraid of substituting ingredients when I find a recipe I like. I may not have  all of the things listed, or maybe there is an ingredient I want to avoid, so I adjust accordingly. I have to admit that I can’t help modifying at least a little something. I love recipes, and I always search for them. Unlike before, though, I use them more as inspirational ideas, as a starting point for my creativity when I want to turn the few vegetables left in the fridge in a tasty soup or mix them successfully into polpette -- and I can tell you from experience that not everything mixed together makes good polpette...


Benedetta received  her Masters in Literature from the University of Bologna. She loves watching independent films alone, and has a deeply-rooted passion for grammar and high standards when it comes to bread and olive oil quality.

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Knead On

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Knead On

What started as a small swirling gesture with her two fingers gradually involved her whole body as more and more of the flour was incorporated into the dough. I stood there, mesmerized, because it almost looked as if the dough was moving her.

Then, I tried my hand at kneading, noting the visual cues and memorizing them in my hands. Like an earlobe to the touch, I thought.

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Currents and Tidings from Noli

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Currents and Tidings from Noli

The morning fish market in Noli, a small town on the Ligurian Sea in northwest Italy, is not a bustling affair. A few fishers stand around their tables, which are nearly empty by 10 a.m. “There are no fish [in the sea],” fisherman Vittorio told me, sitting in front of the market in his bright yellow waterproof overalls. “We were four or five boats out on the sea this morning, and by 10 or 11 a.m. there is nothing left to sell.”

The small-scale fishers use a variety of fixed nets, usually setting them out in the evening and pulling up their catch the following morning. There has always been year-to-year variability in the catch, but the last few years have seen unprecedentedly low levels of fishing in Noli. “It has changed slowly,” Vittorio said. “Twenty years ago we caught much more.”

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Currents and Tidings from Catania

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Currents and Tidings from Catania

Traditionally, coastal fishers could “read” the weather by watching the sea and feeling the winds. They knew which direction the wind should blow and when the seasonal storms should arrive, and what those particular conditions meant for the behavior of the fish. This knowledge was gathered from year-round observation of the environment, and it was fine-tuned and passed down through generations. But when climate change interferes with the seasons and we can look up the weather on the internet, does this traditional fishers’ knowledge become obsolete?

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Currents and Tidings from Orbetello

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Currents and Tidings from Orbetello

Emily: What kinds of environmental changes have you noticed in recent years in Orbetello?

Massimo: The defined seasons—autumn, spring, summer, winter—do not exist like they used to. Winter comes and, by March, summer has already arrived. Sometimes we have a summer where the heat never breaks for months on end. For the last six, seven years the fishers have been discouraged. The reference points that we have come to rely on—the progression of the seasons and the presence of certain weather eventsare no longer reliable. The relationship between fisher and lagoon has completely changed.

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The Horse Shrimper

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The Horse Shrimper

Over time, particularly in gastronomic culture, traditions often go one of two ways: they become a national symbol, or they are niche customs at risk of disappearance. Fishing, for instance, comes in many forms: trawling, nets, poles, and longlines, all recognized as traditional methods. However, on the southern coast of Belgium, there is a popular knowledge of fishing for shrimp on horseback, nothing to do with the centennial history of beer, chocolate, and frites that we often associate with the little country. Every Belgian is proud of these three gastronomic traditions, which remain in my mind after the six months I spent in Bruxelles, but no one told me about the tiny shrimp.

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From Place to Plate

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From Place to Plate

Click to continue.

Click to continue.

From Place to Plate, a photo essay exploring the relationship between landscape and taste. Peruse this series, giving context to beautiful meals and breathtaking places from around the world. Click the image to begin the journey.


Sami received her BS in Anthropology and Geography from Cal Poly with an emphasis on Nutrition. She is passionate about work that supports local food economies and seeks to make  good food more prevalent and accessible to all. 

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About A Rooster

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About A Rooster

I pulled the rooster from the boiling water and flopped its body on the table. Grabbing a handful of feathers, I tugged gently and they came away from the flesh with a quiet pop. Before thinking, I said it out loud. “It feels satisfying to tear the feathers from the skin.”

Perhaps the comment was off-color given that the animal had been running around just moments before, but it didn’t feel like an animal anymore.

There is a clear moment for me when a slaughtered animal passes from a previously living creature to an object of fascination with the way boiling water removes feathers and layers of skin and hair. Part of this is pure curiosity and an affinity for manual tasks, but the transition from life to specimen is also a fundamental shift that allows this bird to make its way into my oven, and later my stomach. My rooster is no longer an animal, but an assemblage of flesh and bones on its way to becoming poultry.

 

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Alone in the Kitchen... with a Fridge Full of Vegetables

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Alone in the Kitchen... with a Fridge Full of Vegetables

I can spend hours poring over cookbooks and online recipe variations, trying to figure out what to do with that 3-foot long squash I have on the counter or the 20 zucchini in the fridge. I love spending all morning making blueberry jam from the plastic bag heavy with blueberries just-picked from the neighbors patch, singing along to Alison Krauss, then pulling a loaf of bread out of the oven and making a grilled cheese with the jam to eat on the porch alone. Winter has been known to find my pantry shelves full of jars upon jars of canned, pickled and jammed summer bounty made during long days alone in the kitchen.

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A Vineyard Stroll on Ischia

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A Vineyard Stroll on Ischia

A thick, Ischian fog blanketed the vines, as it often does, arriving from the nearby coast. We followed the man through his vineyard rows. The leaves on the vine were crisp with vibrant fall colors. The man, Pasquale, stopped us as he knelt down to take a handful of the soil. His soil. Proudly showing us the nutritious microbial life in the soil, he quietly began telling us the story of his family's vineyard.

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When Chicken Becomes Poultry

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When Chicken Becomes Poultry

My head and my hands don’t agree. Even after washing them with soap, I cannot rid my hands of this smell, which is a cross between damp, wet sand and dander. I had just slaughtered a chicken and used its flesh to prepare lunch. The meal was delightful and especially memorable because it was my first time actively taking away the life of another for the sake of my own. Psychology has a term for this—cognitive dissonance—but this feeling of unrest runs deeper into my primal sense of being, and I’m still coming to terms with what I’ve just done. While I’m washing the dishes, the chicken bones are still simmering on the stove. I stop to compare the acrid smell of my hands to that of the bubbling stock.

No, these are two separate smells. One belongs to chicken, the other to poultry.

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Lost Treasures of Cetara

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Lost Treasures of Cetara

Upon entering, he warned us of the smell. At first I thought it wasnt so bad, but then the scent of fermenting anchovies and salty air burned my nostrils and back of the throat before settling deep in my lungs. The room we entered had fluorescent lighting and white tiles and I felt an urge to turn around back into the warm Amalfi sunlight and fresh sea-sprayed air. He ushered us into the cavernous facility with a warm smile and kind eyes and I figured I was willing to stick around for a bit longer. We walked past a man carefully labeling and boxing  jars of alici and into a room where small wooden barrels were stacked as high as the ceiling. It seemed as if we might be in the hull of an old pirate ship — stench included — the barrels had been crusted over with salty remnants, making them look more like my  2nd grade science project than containers of a substance fit for human consumption.

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Nino

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Nino

Nino is the master farm keeper, a full time volunteer at Società Gastronomica, our student farm. A white-haired, white-bearded man in his mid seventies, Nino could easily be mistaken for a character in an 80s southern Italy mafia movie, except that he has “grown shorter and shorter, and bigger and bigger in the width”  he says, rubbing his belly while lighting up a cigarette. He is there at the farm every single day, as early as 5 am in the morning, taking care of all the different vegetables and fruits we grow and managing the compost day by day. You will even spot him on a Sunday morning, slowly walking through the vegetable rows. I only found this out when I went early to have brunch there with some friends.  “Nino, but it’s a Sunday?!” He just replied, “Silvana mi ha spedito qui. Oh, Silvana just sent me here,”referring to his beloved wife. Although it was pretty obvious he came to examine if the fruit trees were doing okay after a rainstorm the night before.

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Sweet Corners, Sweet Dreams

The schiaccia di patate – in English it could be mashed potato cake – is made with golden raisins (sultanas), pine nuts, sugar, olive oil, flour, salt and, of course, potatoes.  I can’t remember if I ever ate something like this before. We tasted it the first time when we had dinner with some members of Slow Food Giglio in a tiny cellar where they used to produce wine. The town’s priest was with us too, and he almost finished all the wine by pretending he was at the Mass. We ate Giglio’s typical dishes: sausage, fish, tuna and, finally, the schiaccia.  When they told us the main ingredients, I was a bit skeptical about turning potatoes into a sweet dish! But after the first bite, I was completely captured by the flavor and balance of the ingredients. The intense flavor of the potatoes matched with the olive oil and the uncountable quantity of sugar, and the pine nuts gave just the right crunchiness. The raisins, which  I normally don’t like very much, were smartly hidden throughout the  dough. There is no pastry in it, only the six, well-combined ingredients. The flavor of the potatoes, the yellow color of the dough - darker on  top where the sugar and the pine nuts caramelized, and the little burnt sweetly crunchy corner were the ideal mix for the end of that dinner.

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Stewing Chaos

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Stewing Chaos

Sprinting back up the slope after a refreshing November swim off the cliffs surrounding the lighthouse of Giglio island, I meet my classmates, who seem lost as our guide is missing. Were late. Moments after, our guide emerges through the trees to shepherd us to our next visit. Sweating, panting, and covered in salt water, I enter the vineyard below.  A white-haired man greets us with a beaming smile while picking lemons for us in his garden. His bright red dress shirt with small black polkadots makes him stick out like a large ladybug in the surrounding sea of green. As we walk down to meet him, we are received by his older wolf-like hound with the bark of a heavy smoker and his tiny mutt, who we quickly realize is blind.  Escorted by his trusty watchdogs, we find him in a decaying white stucco farmhouse with a stone roof and bright green door. He is chopping his lemons and mint to place in glass jugs of water for his thirsty daughters” as he dubs our group of all women, automatically making us family.

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From Japan to Camargue: A Duck Revolution

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From Japan to Camargue: A Duck Revolution

"The mosquitos will kill you." This is the most frequent warning we received in Provence when we said we were going to visit a rice field in Camargue, at sunset. Camargue is a marsh, hard to live in for humans, but the right place to grow rice.

Passing through the paddies to arrive at Bernarde Pujol's s farm, we start noticing something unusual. Ducks swim through the rice rows, walk on the street, and crowd around the feeder, jumping on each other to get to the food.

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